Hollywood Africans -1940-
by Sea Of Voices
michaela kaufmann
michaela kaufmann
Rhythm, Sounds, Voices, Melodies. Great !
Favorite track: My first time (pop corn).
Chris Chaney
epoch
Unrest
Billboard Watcher
ramony.wav
greatjahy
Coffeefran
badnet
Ghostgazer Onigiri
maboot
Ellis
Calder
Andrew Johnson
shampoodesu
n0uv11eva9ue
suop
vilister3
SilentDefender
The Art of Nose
A
jarvis
U L T R A V I O L E T S H I N E
kentkoopa
berviller
Nome
herrwallen
Masatason
beanbruhrito
riichi-kyodai
garrattjohn
Masaru
(prod. vidak)
クロッカス
russelladams98
773 (metric)
Thatoneguybaby
metal_shade
dalop
zigmafmale
Ｃ：\Ｕｓｅｒ
jean27000
helmo
devils_brunch
Yusuf Kounnichi
朱熹
Dave
nemikomusic
juslissen paw!
vamaradelli
eury
Şefik Ateş Meriç
makemecrawl
P Λ Ṫ H O L Ꮎ G I C Λ L Ξ И T R Ø P Y
tonycover
Andaluz Dog
Tim Hendriks
fairlyclassy
C.Justicedone
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Limited Edition
Cassette + Digital AlbumLimited Edition(C-46)cassette tape
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☆Seikomartオフィシャルカセットテープ
・Sea Of Voices - Hollywood Africans -1940-
・46分テープ（片面約23分／23分）
・クリアバッグ包装済み
・カセットテープ限定ボーナストラック2曲入り
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Includes unlimited streaming of Hollywood Africans -1940- via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ... moreSold Out
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1. |
Sorry
03:29
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2. |
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3. |
̶N̶u̶t̶ (200 yen)
03:00
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4. |
My first time (pop corn)
02:20
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5. |
Crystal Fissure
03:50
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6. |
Hero.ism (Gangsterism.)
02:30
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7. |
Sugar Cane Inc ©
02:46
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8. |
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9. |
̶L̶u̶l̶l̶a̶b̶y̶
03:59
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10. |
What is Bwana
03:21
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11. |
Redbones 22.60-12
03:19
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12. |
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about
I have been studying piano for a lifetime.
My aim was to become a concert player, like my teacher was when he was young. He studied in Russia. He was a serious communist. And he loved modern art.
In front of one of his two pianos of his house, where I practiced, a picture hung.
A very strange picture, or so it seemed to me when I was 8.
There were barred writings and deformed faces. It scared me a lot at that time.
However, over time, the more I saw it, the more it became familiar, even friendly.
For years that picture watched me sweating and swearing on a keyboard. Every time I did a competition, I couldn't help thinking about that sort of pictorial delirium, especially if the competition went badly.
That canvas began to enclose intense and detestable moments of my life, sublime, disappointments, failures, loves. I became almost obsessed with it, so much that I bought several copies of it with different sizes, to put on the walls of my flat. I feel mad
I decided to create a programmatic music album, focused entirely on the painting in question. Each track is a different sensation or a moment translated towards the brush strokes
A lumpy bunch of ghosts
I put the link of the painting's true photo in the credits, so that even those who do not know it can have a better musical immersion. The real cover, on the other hand, is what remains of the canvas in my head, which absorbed, like a sponge, the effort and sweat of my studies.
Probably mostly my Chopin Sonatas
Jean-Michel Basquiat - Hollywood Africans -1940-
...
...
...
BJ: What else?
JMB: I have a Joseph Kosuth.
BJ: One of the old ones?
JMB: Yeah, a sixties one. And I got one Robert [inaudible]
painting and those [James] Van Der Zee photographs,
and I have a small Keith Haring.
TD: Did you ever trade art? Did you trade something with
Keith in order to get that?
JMB: Yeah, yeah. I traded with Andy. We used to trade all
the time so I have a few of his paintings.
TD: You used to leave paintings lying in places where you
were staying. Are you more conscious of not doing that?
JMB: Definitely, 'cause they've wound up at auction.
BJ: Yeah, I know people who've sold those things.
JMB: Like everybody I know has sold those things.
BJ: [ ... ] If you were suddenly told that you only had
twenty- four hours left to live, what would you do in those
twenty- four hours?
JMB: I don't know-go hang out with my mother and my
girlfriend, I guess.
INTERVIEW
Jean Michel Basquiat with Becky Johnston and Tamra
Davis
credits
released December 22, 1960
whitney.org/collection/works/453
Sea Of Voices
twitter.com/EnzoCiruolo
www.instagram.com/enzociruolo/
audius.co/enzociruolo
My aim was to become a concert player, like my teacher was when he was young. He studied in Russia. He was a serious communist. And he loved modern art.
In front of one of his two pianos of his house, where I practiced, a picture hung.
A very strange picture, or so it seemed to me when I was 8.
There were barred writings and deformed faces. It scared me a lot at that time.
However, over time, the more I saw it, the more it became familiar, even friendly.
For years that picture watched me sweating and swearing on a keyboard. Every time I did a competition, I couldn't help thinking about that sort of pictorial delirium, especially if the competition went badly.
That canvas began to enclose intense and detestable moments of my life, sublime, disappointments, failures, loves. I became almost obsessed with it, so much that I bought several copies of it with different sizes, to put on the walls of my flat. I feel mad
I decided to create a programmatic music album, focused entirely on the painting in question. Each track is a different sensation or a moment translated towards the brush strokes
A lumpy bunch of ghosts
I put the link of the painting's true photo in the credits, so that even those who do not know it can have a better musical immersion. The real cover, on the other hand, is what remains of the canvas in my head, which absorbed, like a sponge, the effort and sweat of my studies.
Probably mostly my Chopin Sonatas
Jean-Michel Basquiat - Hollywood Africans -1940-
...
...
...
BJ: What else?
JMB: I have a Joseph Kosuth.
BJ: One of the old ones?
JMB: Yeah, a sixties one. And I got one Robert [inaudible]
painting and those [James] Van Der Zee photographs,
and I have a small Keith Haring.
TD: Did you ever trade art? Did you trade something with
Keith in order to get that?
JMB: Yeah, yeah. I traded with Andy. We used to trade all
the time so I have a few of his paintings.
TD: You used to leave paintings lying in places where you
were staying. Are you more conscious of not doing that?
JMB: Definitely, 'cause they've wound up at auction.
BJ: Yeah, I know people who've sold those things.
JMB: Like everybody I know has sold those things.
BJ: [ ... ] If you were suddenly told that you only had
twenty- four hours left to live, what would you do in those
twenty- four hours?
JMB: I don't know-go hang out with my mother and my
girlfriend, I guess.
INTERVIEW
Jean Michel Basquiat with Becky Johnston and Tamra
Davis
credits
released December 22, 1960
whitney.org/collection/works/453
Sea Of Voices
twitter.com/EnzoCiruolo
www.instagram.com/enzociruolo/
audius.co/enzociruolo
credits
released April 20, 2020
S&M-231
S&M-231
license
all rights reserved
tags
about
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