Hollywood Africans -1940-
by Sea Of Voices
michaela kaufmann
michaela kaufmann
Rhythm, Sounds, Voices, Melodies. Great !
Favorite track: My first time (pop corn).
Daniel McClung
Chris Chaney
epoch
Unrest
Billboard Watcher
ramony.wav
greatjahy
Coffeefran
badnet
Ghostgazer Onigiri
maboot
Ellis
Calder
Andrew Johnson
shampoodesu
n0uv11eva9ue
suop
vilister3
SilentDefender
The Art of Nose
A
jarvis
U L T R A V I O L E T S H I N E
kentkoopa
berviller
Nome
herrwallen
Masatason
beanbruhrito
riichi-kyodai
garrattjohn
Masaru
(prod. vidak)
クロッカス
russelladams98
773 (metric)
Thatoneguybaby
metal_shade
dalop
zigmafmale
Ｃ：\Ｕｓｅｒ
jean27000
helmo
devils_brunch
Yusuf Kounnichi
朱熹
Dave
nemikomusic
juslissen paw!
vamaradelli
eury
Şefik Ateş Meriç
makemecrawl
P Λ Ṫ H O L Ꮎ G I C Λ L Ξ И T R Ø P Y
tonycover
Andaluz Dog
Tim Hendriks
fairlyclassy
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Full Digital Discography
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Limited Edition
Cassette + Digital AlbumLimited Edition(C-46)cassette tape
Cassette Tape: hand dubbed (real time) on C-46 (music time is around 23 minutes per side) double card insert j-card inside a Norelco case.All packed in a poly bag.
***EXCLUSIVE BONUS TRACK INCLUDED!!****
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☆Seikomartオフィシャルカセットテープ
・Sea Of Voices - Hollywood Africans -1940-
・46分テープ（片面約23分／23分）
・クリアバッグ包装済み
・カセットテープ限定ボーナストラック2曲入り
(カセットラベルは1本1本微妙に異なるデザインのため、お手元に届くカセットテープは写真と異なるラベルが届く場合がございますのでご了承下さい。)
Includes unlimited streaming of Hollywood Africans -1940- via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ... moreSold Out
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1. |
Sorry
03:29
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2. |
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3. |
̶N̶u̶t̶ (200 yen)
03:00
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4. |
My first time (pop corn)
02:20
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5. |
Crystal Fissure
03:50
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6. |
Hero.ism (Gangsterism.)
02:30
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7. |
Sugar Cane Inc ©
02:46
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8. |
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9. |
̶L̶u̶l̶l̶a̶b̶y̶
03:59
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10. |
What is Bwana
03:21
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11. |
Redbones 22.60-12
03:19
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12. |
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about
I have been studying piano for a lifetime.
My aim was to become a concert player, like my teacher was when he was young. He studied in Russia. He was a serious communist. And he loved modern art.
In front of one of his two pianos of his house, where I practiced, a picture hung.
A very strange picture, or so it seemed to me when I was 8.
There were barred writings and deformed faces. It scared me a lot at that time.
However, over time, the more I saw it, the more it became familiar, even friendly.
For years that picture watched me sweating and swearing on a keyboard. Every time I did a competition, I couldn't help thinking about that sort of pictorial delirium, especially if the competition went badly.
That canvas began to enclose intense and detestable moments of my life, sublime, disappointments, failures, loves. I became almost obsessed with it, so much that I bought several copies of it with different sizes, to put on the walls of my flat. I feel mad
I decided to create a programmatic music album, focused entirely on the painting in question. Each track is a different sensation or a moment translated towards the brush strokes
A lumpy bunch of ghosts
I put the link of the painting's true photo in the credits, so that even those who do not know it can have a better musical immersion. The real cover, on the other hand, is what remains of the canvas in my head, which absorbed, like a sponge, the effort and sweat of my studies.
Probably mostly my Chopin Sonatas
Jean-Michel Basquiat - Hollywood Africans -1940-
...
...
...
BJ: What else?
JMB: I have a Joseph Kosuth.
BJ: One of the old ones?
JMB: Yeah, a sixties one. And I got one Robert [inaudible]
painting and those [James] Van Der Zee photographs,
and I have a small Keith Haring.
TD: Did you ever trade art? Did you trade something with
Keith in order to get that?
JMB: Yeah, yeah. I traded with Andy. We used to trade all
the time so I have a few of his paintings.
TD: You used to leave paintings lying in places where you
were staying. Are you more conscious of not doing that?
JMB: Definitely, 'cause they've wound up at auction.
BJ: Yeah, I know people who've sold those things.
JMB: Like everybody I know has sold those things.
BJ: [ ... ] If you were suddenly told that you only had
twenty- four hours left to live, what would you do in those
twenty- four hours?
JMB: I don't know-go hang out with my mother and my
girlfriend, I guess.
INTERVIEW
Jean Michel Basquiat with Becky Johnston and Tamra
Davis
credits
released December 22, 1960
whitney.org/collection/works/453
Sea Of Voices
twitter.com/EnzoCiruolo
www.instagram.com/enzociruolo/
audius.co/enzociruolo
My aim was to become a concert player, like my teacher was when he was young. He studied in Russia. He was a serious communist. And he loved modern art.
In front of one of his two pianos of his house, where I practiced, a picture hung.
A very strange picture, or so it seemed to me when I was 8.
There were barred writings and deformed faces. It scared me a lot at that time.
However, over time, the more I saw it, the more it became familiar, even friendly.
For years that picture watched me sweating and swearing on a keyboard. Every time I did a competition, I couldn't help thinking about that sort of pictorial delirium, especially if the competition went badly.
That canvas began to enclose intense and detestable moments of my life, sublime, disappointments, failures, loves. I became almost obsessed with it, so much that I bought several copies of it with different sizes, to put on the walls of my flat. I feel mad
I decided to create a programmatic music album, focused entirely on the painting in question. Each track is a different sensation or a moment translated towards the brush strokes
A lumpy bunch of ghosts
I put the link of the painting's true photo in the credits, so that even those who do not know it can have a better musical immersion. The real cover, on the other hand, is what remains of the canvas in my head, which absorbed, like a sponge, the effort and sweat of my studies.
Probably mostly my Chopin Sonatas
Jean-Michel Basquiat - Hollywood Africans -1940-
...
...
...
BJ: What else?
JMB: I have a Joseph Kosuth.
BJ: One of the old ones?
JMB: Yeah, a sixties one. And I got one Robert [inaudible]
painting and those [James] Van Der Zee photographs,
and I have a small Keith Haring.
TD: Did you ever trade art? Did you trade something with
Keith in order to get that?
JMB: Yeah, yeah. I traded with Andy. We used to trade all
the time so I have a few of his paintings.
TD: You used to leave paintings lying in places where you
were staying. Are you more conscious of not doing that?
JMB: Definitely, 'cause they've wound up at auction.
BJ: Yeah, I know people who've sold those things.
JMB: Like everybody I know has sold those things.
BJ: [ ... ] If you were suddenly told that you only had
twenty- four hours left to live, what would you do in those
twenty- four hours?
JMB: I don't know-go hang out with my mother and my
girlfriend, I guess.
INTERVIEW
Jean Michel Basquiat with Becky Johnston and Tamra
Davis
credits
released December 22, 1960
whitney.org/collection/works/453
Sea Of Voices
twitter.com/EnzoCiruolo
www.instagram.com/enzociruolo/
audius.co/enzociruolo
credits
released April 20, 2020
S&M-231
S&M-231
license
all rights reserved
tags
about
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Oct 2022
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